This image emerged amidst the 1968 protests in Paris, a moment of fervent social upheaval marked by labour strikes and student demonstrations against capitalism, consumerism, and traditional societal structures. In this climate, the *Atelier Populaire*, an ad hoc group of student and worker activists, produced a prolific series of politically charged images intended to amplify their calls for justice. These works, designed for immediacy and dissemination, were often critiques of the establishment, exposing figures of authority they deemed complicit in repression and exploitation. This particular piece denounces figures responsible for the deaths at the Charonne Metro Station massacre—a brutal suppression of anti-fascist protesters in 1962—linking their actions to continued state violence.
The stark visual language combines a bold graphic style with biting textual commentary to challenge authority figures and corporate interests. Utilising minimal shapes and sharp contrasts, the image conveys a sense of urgency and resistance. The directness of both its visual design and accusatory inscriptions underscores the politicised art-making central to the *Atelier Populaire*. Works like these were integral to the protests and remain significant reflections of the collective dissent that sought to redefine the structures governing society.