This image captures a 1900 exploration of colour theory that reflects the expanding interest in scientific and artistic studies of chromatics during the late 19th and early 20th centuries. Rooted in a systematic approach to understanding the interplay of hues, it features elemental diagrams illustrating the relationships and blending of colours. Such works were instrumental in teaching concepts of colour harmony and complementarity, influencing the fields of art, design, and even psychology.
Through its geometric precision and vivid palette, this visual synthesis demonstrates the era’s fascination with rationalising artistic concepts into analyzable systems. It stands as a testament to a time when colour theory bridged the gap between art and emerging science, informing practices ranging from textile design to architectural ornamentation.