This print depicts Shan Xiongxin, a celebrated peasant uprising leader during the transitional period between the Sui and Tang dynasties, as portrayed in the Peking Opera play “The Jia Family Pavilion.” Shan Xiongxin is illustrated with bold facial makeup and intricate costumes, showcasing the vibrant tradition of character distinction in Peking Opera. The powerful visual representation of Shan Xiongxin, with green floral robes and elaborate facial painting, emphasizes his fierce and honorable persona. This style is emblematic of the art form’s use of makeup and attire to convey character traits and roles.
Peking Opera, also known as Jingju, originated in the late 18th century and reached its peak in the Qing Dynasty. The costumes, rich in symbolic colors and details, serve to inform audiences about a character’s status, personality, and role within a story. The art form integrates singing, dancing, martial arts, and storytelling into a high-energy performance steeped in tradition. This print reflects the dynamic interplay between visual artistry and dramatic storytelling that is central to Peking Opera’s cultural significance. Originally intended to embody historical tales and moral themes, this art form, along with its visual depictions, continues to resonate as an enduring cultural treasure.
